Me and Julie the Juki are busy stitching straight lines across the Dashing Stars quilt. I’ve used the walking foot guide bar to keep the quilting lines spaced 2½” apart. The piecing design is full of straight lines that emphasise a horizontal & vertical grid. I decided to mix it up a bit by introducing quilting lines at an angle of 60° to create a diamond grid.
To ‘draw’ the initial 60° line I matched up the marking on a ruler with a horizontal seam on the patchwork. I used a Hera Marker along the edge of the ruler to create an impression on the fabric right across the quilt before laying down a strip of masking tape to use as my guide.
I stitched along the edge of the tape, removed it and then repeated the marking process with a line running all the way across the quilt in the opposite diagonal direction. I chose to mark these initial two lines to intersect at the very centre of the quilt top. Next I set up the walking foot guide with a 2½” gap between the guide and the machine needle.
Stitching with the guide bar is quick and has the advantage that no quilting lines need to be marked on the fabric. However, I have been checking every three or four rows of stitching to make sure my lines haven’t become bowed or moved away from the 60° angle. It’s simple enough to straighten things out by using the ruler, Hera Marker and masking tape to get the next line back on track.
I’m using 50wt Aurifil 2600 thread and have increased the machine stitch length to around 2.5 from the usual piecing length of about 1.8.
PS. I think the comments box on this page may be broken – apologies if you have attempted to leave comments to previous posts and been unsuccessful or wondered why I haven’t replied. I will endeavour to get any problems fixed.
I’m making good progress with the Bargello quilt experiment.
The story so far: I’m using a Jelly Roll for fabric and have had a couple of attempts at designing and making blocks. My first pattern proved to be a bit too fiddly – for my tastes anyway – with the narrowest strips cut just ¾” wide. Before making the second block I changed the cutting measurements to no narrower than 1½” wide – much better! The thrid block I made was identical to the second… Or so I thought…. Doh! I mis-read my pencil pattern and had cut a couple of strips to the finished measurements with no seam allowances! A bit of unpicking had to happen! Thankfully there was enough left-over fabric for me to cut strips of the correct width to complete the block.
Then I had to bite the bullet and make the fourth block using my original narrow cutting measurements. When that was made I could sew all four blocks together and stand back to see the pattern flowing over the quilt top. So this is a bit of an experimental quilt top. I’m pleased I achieved my aims of designing and making Bargello blocks AND in the process used all forty Width Of Fabric strips from the Jelly Roll.
Bargello – it turns out not to be as scary as it looks! I thought I’d write up my cutting and piecing instructions and share them. If you’ve shied away from this block in the past why not give it a go using my pattern, Basic Bargello Block -July 2020? All you need are ten width of fabric strips cut 2½” wide. Follow the method shared in the pattern – looking back at the photo tutorial in my ‘Jelly Roll Bargello Quilt – first block, step by step‘ blog post should help – and give it a go! Ten WOF fabric strips will make a block measuring 28″ x 20″.
Let me know how you get on if you do give Bargello a try. Link up via my Facebook page, or use @allisonreid.neweverymorning on Instagram. I’d love to see versions of this pattern made in other colourways 🙂
Linking with Susan for Midweek Makers. Susan is busy designing rather than making at the moment but there are a whole host of bloggers from the Worldwide Quilting Community sharing their inspiring quilt projects in her link-up this week.
So, designing and making a Bargello quilt, how hard can it be? 😀
There are plenty of Bargello patterns to be bought, found in books or available for free on the ‘interweb’… but none seemed to quite fit the fabric quantities I had available or the idea I had in my head…
Not only are there plenty of patterns available there are also a considerable number of cutting and piecing methods to choose from – both to follow in books and watch on YouTube. It took me a couple of days to assimilate the information I’d found, play around with pencil and eraser and look wistfully at the fabrics. Finally it was time to put a plan into action 🙂
Fabric: I used a Moda Jelly Roll, ‘Circulus’ by Jen Kingwell Designs, forty width of fabric strips cut 2½” wide. This collection conveniently has four each of ten colours making it easy for me to sort them into four matching sets. Other Jelly Rolls would need more careful sorting and maybe a few substitutions to replace those fabrics that wouldn’t play well in a Bargello pattern i.e. large, widely spaced designs which could break up the pattern across the quilt top.
The method: After much deliberation and many ‘huhs?’ followed by a few light-bulb moments I decided to employ a strip piecing ‘tube’ method to make this Bargello quilt. After all the research, I found most affinity with a tip-filled
Do you attach a label to each of the quilts you make? Or maybe you think you ‘ought’ to attach a label but don’t quite get round to it? If you are thinking labels are unnecessary then spare a thought for the next generation in your family or a quilt historian – imagine their disappointment at not being able to confirm who made the quilt and their longing to know when and where the quilt was stitched together. Quilts passed down through a generation or two become a bit like old family photographs: If they are not dated and the names of the people in the photo are not recorded they become difficult to identify and place, a frustrating mystery!
The very first quilt I made couldn’t be declared a finish until a label had been attached. This wasn’t a self imposed rule but the final instruction given by the local quilt group members, Chris and Flip, who guided myself and three or four other newbies through a patchwork quilting beginners course. We were left to our own devices when it came to making the labels. I chose to hand stitch the label for my little quilt. This is – and always will be -the most elaborate and time consuming label I have ever made!
My first quilt, labelled and dated, 2010. In late 2014 I opened this blog. In 2015 I wrote about the history of adding labels to quilts and a little bit about how I was making labels at the time. My technique has evolved over the past five years so I thought I’d share my label making process and hope you will find some helpful tips and ideas in this tutorial 🙂 First I’ll explain the label making method I use then I’ll share several ways to attach a label to a quilt.
Making a label
You will need:
A computer and printer.
Piece of light coloured fabric – I tend to use calico – 7″ x 5″.
Light source – a light box is ideal but a window will do!
A fine tipped permanent marker – I generally use a Pigma Micron pen with 0.45mm tip.
I have a quilt label template saved on my computer. I name my quilts and add details such as the name of the designer, my name as maker, where I made it and when. I also make a note of the materials and wadding used along with brief washing instructions – I hope this gives the recipients confidence to stick the quilt in the washing machine when necessary!
The font used is obviously personal preference but do consider how easy/complicated it will be trace onto fabric. I use AR CENA (sizes 28 and 24) and Arial (18).
Once I’m happy with the layout of my label, I print it onto ordinary computer paper – the printed area takes up less than half an A4 sheet. I cut away the bottom half of the paper to make it easier to handle on my small light box.
Time to trace the printed information onto the fabric. As I’ve said I do have a light box so I make use of that but the print-out can be taped to a window to take advantage of daylight back-lighting.
Centre the fabric over the words and tape in place to prevent shifting as you are tracing. Tracing onto fabric isn’t like tracing on to paper. I find short strokes and going over thicker lines several times with my fine marker gets best results. Once finished, lift the fabric away from the light source and check the writing is readable before moving onto the next stage.
Variations: Symbols as well as words could be traced onto the label; space can be left for a handwritten message or signature; and, of course, the label size can be adapted to fit with the quilt size and personal preference.
At this stage I usually trim my fabric label and sew a 1½”-2″ border all around it. I like to use leftover fabrics from the quilt top as a way of forming an association between the back of the quilt (where the label will be attached) to the front of the quilt.
Attaching a Label to a Quilt
I use several different methods to attach handmade labels to my quilts. The first two involve adding the labels before quilting.
1 Integrating the label into a pieced backing (this is my favourite method). Adding the label before quilting allows it to become part of the quilt rather than an addition at the end (this also provides ease of identification and some security if the quilt is going to exhibitions and shows).
I tend to add the label to a piece of fabric that will be in the bottom third of the backing. I use seams about 3/8″ wide as I do when sewing the other pieces of the backing together. I press the seams open.
2 Stitching the label to the backing before quilting. If my backing is a whole piece of fabric I prepare the label by pressing a quarter inch of fabric to the back of the label all around to hide the raw edges. Next I pin the label in place on the backing (remembering not to to do this too close to the edge as the backing will be trimmed by several inches when quilting is completed!)
I then machine stitch the label to the right side of the backing using a zig-zag or blanket stitch.
3 Attaching the label to the binding after quilting. I especially like doing this using a broad strip of a label to fit diagonally across a corner of a quilt. Once the lettering is traced I stitch the top and bottom edges of the label together to make a tube. I then pin it in place across a corner of the quilt before stitching the binding around the quilt. The binding stitches attach the label firmly to the edges of the quilt.
As a finishing touch I hand stitch the top and bottom edges of the label to the quilt back to stop them gaping.
4 Attaching the label to a completed quilt (my least favourite method). I prep the edges of the label as in method 2 above but hand stitch the label to the backing once all the quilting is completed and the binding attached.
I hope you’ve picked up some useful tips from this explanation of methods for making and attaching labels to quilts. Do share your tips and links to other methods in the comments box below. Thank you!
Linking this post with Susan for Midweek Makers, where there’s always an inspiring gallery of works in progress from around the world on view.